நடிப்பு: Adharvaa, Dhansika, Vedhika
இயக்கம்: பாலா
இசை: ஜி வி பிரகாஷ் குமார்
உற்பத்தி: பி ஸ்டுடியோஸ்
கதை Saaloor கிராமத்தில் தொடங்குகிறது
வாழ்க்கை, பழக்கம் மற்றும் திருமணம் சித்தரிக்கிறது
அந்த கிராமத்தில் உள்ள மக்கள். Adharva (Votu
Porukki மாற்று ராஜா) டாம்-டாம் பையனை மற்றும்
Vedhika (Angamma) இந்த காதல்
அப்பாவி பையன்.
கிராமத்தில் கடுமையான பிடியில் இருந்து
வறட்சி, Adharva ஒரு டீ வேலை செல்கிறது
ஒரு அடிமை போல் எஸ்டேட். கதாபாத்திரங்கள் என்று நாம்
, போன்ற Dhansika இந்த படத்தில் பார்க்கலாம்
கணவர் மூலம் இயக்கப்படும் மற்றும் உள்ளது யார்
ஒரு குழந்தை, கருத்தரித்துவிட்டால் யார் Vedhika, ஆதரவு
Adharva குழந்தை மற்றும் வெளியே
அவரது தாயார், மற்றும் Adharva இன் மூலம் வீடு
பாட்டி அவுட் திணிக்கப்படுகிறது
எப்போதும் நம் நினைவுகள்.
படம் முழுவதும், நாம் கேட்க வேண்டும்
சக்திவாய்ந்த வசனங்கள் மற்றும் நுட்பமான நகைச்சுவை
அந்த வருத்தத்தை வளர்தெடுப்பது வைத்திருக்கும் உடன் மகிழு
கதைக்கரு. க்ளைமாக்ஸ் நிச்சயமாக இல்லை
இதய rending மட்டுமே பாலா அதை செய்ய முடியும்!
அவர் மீண்டும் அவர் என்று நிரூபிக்கப்பட்டுள்ளது
இந்தியாவில் சிறந்த இயக்குனர்.
Adharva தேயிலை கேட்கும் காட்சி
எஸ்டேட் மேற்பார்வையாளர் "Niyayamare" நிச்சயம்
பார்வையாளர்களின் இதயங்களில் மற்றும் பாலா தொட்டு
திரையில் கொண்டு போற்றப்படுகிறது
மிக நன்றாக. ஒரே ஒரு காட்சியில் வைக்கப்பட்டு
அப்படி.
உரையாடல் எழுத்தாளர் Nanjil Nadan மற்றும்
ஒளிப்பதிவாளர் Chezhiyan ஒரு விளையாடிய
இந்த படம் வரை வடிவமைப்பதில் முக்கிய பங்கு. ஜி.வி.
பிரகாஷ் இசையில் ஒரு தாக்கத்தை உருவாக்க செய்கிறது.
விருதுகள் காத்திருக்க வேண்டும்

60 Th National Award Complete list

Best Feature Film: Paan Singh Tomaar
Best film on Social Iissues: Spirit
(Malayalam)
Popular film providing wholesome
entertainment: Vicky Donor and Usthad
hotel
Indira Gandhi award for Best debut
director: Chittagong
Best Film on environment: Malayalam
film Black Forest
Special Jury Award: Rituparno Ghosh,
Nawazuddin Siddiqui, Lal, Thilakan,
Parineeti Chopra
Best Actor: Irrfan Khan (Paan Singh
Tomar) & Vikram Ghokale
Usha Jadhav named Best Actress for
Marathi film 'Dhag
Best Supporting Actor: Annu Kapoor
(Vicky Donor)
Best Supporting Actress: Kalpana
(Thanichalla Ngan)
Best Male playback singer: Shankar
Mahadeven (Chittagong)
Best Dialogues: Anjali Menon (Usthaad
Hotel)
Best Adapted Screenplay: OMG
Best Screenplay (Original): Sujoy Ghosh
(Kahaani)
Best Editing: Kahaani
Best makeup artist: Raja for Vazahkku
En 18/9
Best Lyrics: Prasoon Joshi for Chittagong
Best Tamil Film: Vazhakku Enn
Best Non-Feature Film: Shepherd's of
Paradise
Best Back Ground Score - Bijibal
( Kaliyachan )
Best Film by debutant Dir. - 101
chodyangal - Sidharth Shiva
(Marimayam, ANT fame) &
Chittagong
Best VFX - Eega
Best Telugu Film - Eega
Best Malayalam Film Celluloid
Best Hindi film: Filmistaan
Paradesi wins best costume designer
award for Poornima
Vishwaroopam Best choreography (Birju
Maharaj) & art direction ( Lalgudi
Ilayaraja) & Production Design
Best Child Artist - Minnan for 101
Chodhyangal
Best Animation Film - Delhi Safari (dir:
Nikhil Advani)
Best Director - Shivaji Lawson
Feature Film Awards follow
Best Non-Feature Film: Shepherd's of
Paradise
Best Biographical Historical
reconstruction: Celluloid Man
Best Film on Agriculture: Timbucktoo
Best Social Film: Behind the mist
Best Adventure Film: Manipuri Pony
Best Investigative Film: Inshallah
Kashmir
Best Editing: Celluloid Man
0th National Film Awards Announced
Jury headed by Shri Basu Chatterjee
for Feature Films, Ms. Aruna Raje for
Non-Feature Films and Shri Swapan
Mullick for Best Writing on Cinema
announce the Awards
The
prestigious
60 th
National
Film
Awards for
the year
2012 were
announced
here today
at a joint
Press
Conference
addressed
by the
Chairperso
ns of the
three
juries, Shri
Basu
Chatterjee
for Feature
Films, Ms.
Aruna Raje
for Non-
Feature
Films and
Shri
Swapan
Mullick for
Best
Writing on
Cinema.
The
award for
the best
feature
film has
been
conferred
to Paan
Singh
Tomar
(Hindi)
produced
by UTV
Software
communica
tions Ltd.
and
directed by
Tigmanshu
Dhulia .  In
non-
feature
film
category,
the award
for the
Best Film
has been
conferred
to
Shepherds
of
Paradise
(Gojri &
Urdu)
produced
and
directed
by Raja
Shabir
Khan. In
the
category of
Best
Writing on
Cinema
section, the
book
Silent
Cinema in
India – A
Pictorial
Journey
(English)
written by
B.D. Garga
and
published
by Harper
Collins
Publisher
India has
bagged  the
top
honour,
whereas
Shri P.S.
Radhakris
hnan has
been
conferred
the award
for the Best
film Critic.
In
the Feature
Film
category, a
total of 38
films from
14
languages
have been
selected
for the
60 th
National
Awards.
Chittagon
g (Hindi)
and 101
Chodiyang
al (
Malayalam
) have
shared the
Indira
Gandhi
award for
the Best
Debut Film
of a
Director.
The award
for the
Best
Popular
Film for
providing
wholesome
entertainm
ent has
been
shared by
Vicky
Donor
(Hindi)
and Ustad
Hotel (
Malayalam
).  The
award for
the  Best
Director
has been
conferred
on Shri
Shivaji
Lotan
Patil for
the film
Dhag
(Marathi) .
The award
for the Best
Actor has
been
shared by
Shri
Irrfaan
playing the
title role in
Paan Singh
Tomar
and  Shri
Vikram
Gokhale
for the film
Anumati
(Marathi).
The
award for
the Best
Actress has
been
conferred
on Ms
Usha
Jadhav for
her
performan
ce in Dhag
(Marathi).
The award
for the best
Supporting
Actor has
been
conferred
on Shri
Anu Kapur
for the film
Vicky
Donor.
The award
for the best
supporting
Actress has
been
shared by
Ms Dolly
Ahluwalia
for the film
Vicky
Donor and
Ms
Kalpana
for the film
Thanichall
aNjan
(Malyalam
).  The Best
Child Artist
award has
been
shared by
Master
Virendra
Pratap for
Dekh
Indian
Circus
(Hindi) and
Master
Minon for
101
Chodiyang
al (
Malayalam
).
The
award for
the Best
Male
playback
singer has
been
conferred
on Shri
Shankar
Mahadeva
n for the
song Bolo
Na from
the film
Chittagong.
The award
for the Best
Female
Playback
singer has
been
conferred
on Ms
Samhita
for the
song
Palakein
Naa Moon
Don from
the film
Aarti
Anklekarti
kekar
(Marathi).
The award
for the best
Screen
play writer
(original)
has been
conferred
on Shri
Sujoy
Ghosh for
the film
Kahaani.
The award
for best
Screen
play writer
(adapted)
has been
conferred
on Shri
Bhavesh
Mandalia
and Shri
Umesh
Shukla for
the film
Oh My
God. The
award for
the best
Dialogue
has been
conferred
on Ms
Anjali
Menon for
the film
Ustad Hotel
(
Malayalam
).  The
award for
the best
lyrics has
been
conferred
on Shri
Prasoon
Joshi for
the song
Bolo Na
from the
film
Chittagong .
A special
jury award
has been
conferred
on Shri
Rituparno
Ghosh and
Shri
Nawazuddi
n Siddiqui
for the
films
Chitrangad
ha
(Bengali),
Kahaani,
Gangs of
Wasseypur,
Dekh
Indian
circus and
Talaash
(Hindi).
The award
for the best
choreograp
hy has
been
conferred
on Pt.
Birju
Maharaj
for the film
Vishwaroo
pam
(Tamil).
In the Non-
Feature
Film
category,
Shri
Vikrant
Pawar has
got the
Best
Director
award for
the film
Kaatal
(Marathi) .
The Award
for the Best
Debut Film
of a
Director
has been
conferred
to Shri
Lipika
Singh
Darai for
the film
Eka
Gachha
Eka
Manisa
Eka
Samudra
(Odia) .
Shumona
Goel and
Shai
Heredia
for the film
I Am
Micro
(English)
and
Vasudah
Joshi for
Cancer
Katha
(English)
have been
selected
for Special
Jury
Award.
Timbaktu
(English)
has been
awarded as
the Best
film in the
Environme
ntal
category
and
Dreaming
Taj Mahal
( Hindi &
Urdu) has
been
conferred
the award
for the
Best
Promotion
al film.

Methil Mel Punai

Review By ; Ramesh

Starring : Vijay Vasanth, Vibha Natarajan,
Thambi Ramaiah
Direction : Barani Jayapal
Music : Ganesh Raghavendra
Production : Peenics Creations
‘The most terrifying action thriller,’ reads
the tagline of Mathil Mel Poonai, as
probably a warning for viewers. But
nothing prepares you for what the movie
has in store and you would be grossly
mistaken for thinking that action thrillers
need not be ultra-violent. The amount of
violence and bloodletting in Mathil Mel
Poonai is obnoxiously unsightly and the
director’s conviction at bringing a story
like this to screen – albeit his imagination
– is questionable.
More than the violence in the movie,
Mathil Mel Poonai could provide very bad
inspiration for some children who are
already directionless. It shows school
children plotting and killing their
classmate because he is good at studies,
he gets the pretty girl in the class and
generally because his life is better than
theirs. That is plain appalling. If that’s not
enough, there is more. The children get
arrested and sent to juvenile jail and
there they get assaulted and eventually
sodomized by the warden.
These events leave a deep impact among
them and their anger to avenge their
classmate girl who testified against them
in bringing them to the books for the
murder of their classmate gets vindicated
in their mind. Influenced by these events
and further fuelled by an unquenchable
rage to get even with the girl, they grow
up to be real bad characters. They hunt
down the girl and her newly married
husband in an attempt to butcher her.
And thus, the movie reaches its
penultimate scene where gore fills the
scene and the viewer tires himself out
sick.
While the first half of the movie is replete
with scenes where the children are
shown to be growing up without any
moral values – they smoke cigarette
inspired by their father’s smoking habit,
watch FTV to quench their carnal instincts
and they steal from the school. Thus, you
get the idea as to what is in store but
nothing prepares you for what comes
next. While the first half is that of the
children’s bad-assery, the second turns
brutal with them now having grown up
and chasing the girl who is responsible for
their imprisonment and ruination of their
lives. Not that they would have grown up
to be inspiring youngsters with purposes
in lives.
In this appalling state of affairs, the school
romance in the first half is the only
respite. That, however, is not what the
movie’s purpose is and hence the director
bumps off the boy (pretty brutally) and
dashes your hopes before interval. Vijay
Vasanth is brutal but in a movie without
any purpose, his actions seem futile and
hence only give you a sense of jaw-
dropping astonishment. Vibha Venkat,
who plays the victim, is pretty and can
act.
There is no salvaging aspect in the
movie’s more-than-2-hour of gore and
blood. The songs are forgettable and the
background music more so.
On the whole, the movie is disturbing.
Not that disturbing subjects cannot be
made into movies but this one generally
lacks purpose and ends up being
gratuitously violent and uninspiring. Go at
your ris

RATING 1.5/10

Movie: Sundattam
Cast: Naren, Irfan, Madhu, Arundathi
Direction: Brahma Dev
Music: Britoo
Sundattam Movie Storyline

It is a film based on the simple game of carrom and is set in the nineties. Prabhakaran (TV star Irfan) is carrom player, who spends time at the board without a care for his future. His rival is Kasi (Madhu), a star player at an illegal (carrom) club owned by Bhagya Annachi (Naren), the local dada. After a few attempts, he defeats Kasi and becomes close to Bhagya. At a time when things begin to look up for Prabha as he manages to win over the love of Kalai (Arundhati), his sister’s friend, things take a twist as Kasi, who hasn’t taken the defeat well, is thirsting to get back at him and ruin his life.

There is another sub-plot where Bhagya’s downfall is plotted by a rival gangster. Do Prabha and Bhagya thwart the bids of Kasi and the gangster forms the rest of the story.
Sundattam Movie Script review:

The film is set in the 90 and looks into the so-called actors’ fans club which happened to be a haven for the jobless and provided an opening for illegal gamblers. The beginning does look promising and the director gives hints of a setting up a good plot with his interesting portions at the start.

However, the director is unable to sustain the interest and the sub-plot involving Naren and his rival tends to slow things down.

Towards the end, it appears as if Brahma Dev has veered completely off track and the situations appeared contrived.
Sundattam Movie Cast Review:

Television actor Irfan makes a good transition to the big screen and shines through in his role of a youth, who swears by the board game and gets drawn into unwanted gang rivalry.

Naren as the local don and Madhu, the drug-addict, who has a love for carrom, fits the bill to a large extent.

Art Director has managed to bring the sets to authentic North Madras local clubs.
Sundattam Positives:

The different handling of the plot
Irfan’s performance
Sundattam Negatives:


  REVIEW BY  : RAMESH KUMMAR 

வீட்டை மீண்டும் அடகு வைத்த கமல்! http://newshunt.com/share/20019920 Source:Dinamalar